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视频简介

二十世纪初的北爱尔兰港口城市贝尔法斯特，爱尔兰共和军的一个秘密小组抢劫一家公司的钱柜。小组负责人约翰尼·麦昆刚从狱中逃出不久，也参加了这次行动。巨款到手后，约翰尼为了掩护别人走在最后，混战中被警卫开枪打伤，他则打死了警卫。约翰尼躲进一个隐蔽所，昏过去。警察全城搜捕，丹尼斯和两个同伴为寻找他牺牲了。约翰尼得到市民的帮助。秘密小组的留守人凯思琳被严密监视。她在神父汤姆家中遇到以卖鸟为生的穷汉谢尔。谢尔发现了约翰尼，神父要将约翰尼交给警方。谢尔在邻居的疯画家鲁奇家中找到约翰尼，到神父家报仇，凯思琳拦住谢尔，自己找到约翰尼。正当凯思琳搀扶着约翰尼逃向港口，准备乘船离开时，警察包围了他们。凯思琳拿出手枪射击，乱枪响过后，凯思琳终于和心爱的人—起找到了归宿……。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。